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filler@godaddy.com
Signed in as:
filler@godaddy.com
I’ve been making music since I was 7 years old… In fact, the first song I wrote was with a friend in primary school, called “Funky Town,” which was suspicious because a) I didn’t know what funk was and b) I’d just seen the second Shrek movie.
In 2018, I produced and mixed The Elston Guns’ debut EP, as well as contributing backing vocals, guitars, scoring, and arrangements.
In 2020, I released my first single, “Ebb & Flow”.
In 2021, I composed, mixed, and mastered all the music for the multi-award-winning comedy short film, Scootch, created by Stevyn Colgan (of QI), Julie Hyde Mew (Sky, SABC), Melanie Perry (BBC), and Lee Farnsworth (Author, Oddbird). The film has gone on to win at multiple film festivals and received numerous final, semi-final, and honourable mentions.
In 2022, I released two singles, “A Vision in Red” and “Fadeaway”. Both were a bit darker and melancholic compared to Ebb & Flow, with a touch more “electronified” sound. In early 2023, I released “Not A Ride,” a song written to raise money for the victims of the war in Ukraine. Both songs were played on BBC Introducing.
From 2022-present, I’ve been working with several artists and one band as a co-writer, producer, mixer, mastering engineer, or all of the above.
Finally, in 2024, I began releasing singles from my debut EP, Electric Poetry, with two currently released (“Ephemeral Eyes” and “Small Deceits”) and two yet to come. I can’t wait for you to hear it!
I’ve been working with several artists and one band as a co-writer, producer, mixer, mastering engineer, or all of the above.
Finally, in 2024, I began releasing singles from my debut EP, Electric Poetry, with two currently released (“Ephemeral Eyes” and “Small Deceits”) and two yet to come. I can’t wait for you to hear it!
As a teenager, I got heavily into producing; Drum & Bass (Liquid, Neurofunk), House (Deep, Tech, Progressive), Techno, and all manner of EDM (remember Dubstep?). At this time, I started DJ’ing, including at London’s XOYO and Manchester’s Sound Control.
After a stint studying Law (of all things) at the University of Manchester and being thoroughly immersed in the city’s electronic music scenes for 3 years, I decided to return to more traditional songwriting. I took the production aesthetic and sound design skills I’d learned from electronic music and mixed them with live instruments and vocals.
Ultimately, I want to make music that you can feel, emotionally and sonically.
Ready to bring your music to life? Reach out now, and let’s discuss how I can help elevate your tracks with expert production and mixing. I’m excited to hear from you.
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